Applicant ———— · Provisional access · Subject to review
Form 4B · Residency Assessment Point Park University · Cinema Arts · Production 2

HELLO

A man is locked out of his apartment. The locksmith needs to be satisfied that it is emotionally his.

4 min · comedy Written & directed by Wesley Lucas Fall 2026
Section I — Assessment on fileDo not amend

Your assessment has been retained.

Q1 · Whose apartment
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Q1b · Duration
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Q2 · Does it agree
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Q7 · On returning
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Q7b · Addressee
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Denied Ref ———— Applicant may reapply in person
Section II — SynopsisAttach if needed

Everyone in the building thinks this is normal.

Marcus has been sitting in his own hallway for two hours, kinda like waiting in limbo. When the locksmith finally arrives, he doesn't bring tools — he brings a clipboard, sits down on his toolbox, and starts running through this standardized assessment to figure out whether the apartment belongs to Marcus at all.

He is unfailingly polite. He never raises his voice, not even a little. And, honestly, he would genuinely like Marcus to pass. Meanwhile a neighbor drifts out to watch, offers a small correction about the color of the kitchen and answers the questions considerably better than Marcus does.

Section III — PersonnelAll entries required

Cast & crew

Writer / Director
Wesley Lucas
Marcus
Trey Treadwell
Voss
Nico Rich
Greta
Amara Perez
Cinematographer
To be assigned
Editor / Sound Design
To be assigned
Location Sound
To be assigned
Section IV — StatusUpdated weekly

Where the film currently is

  • Script lockedComplete
  • Table read & revisionsComplete
  • Casting — three rolesComplete
  • Location securedScouting hallways
  • Pre-production packageIn progress
  • Principal photographyOne weekend · date TBA
  • Rough cut screeningScheduled
  • Final deliveryEnd of semester showcase
Section V — Statement of intentApplicant's own words

Why this one.

I wanted to write about the specific feeling of being asked to prove something you have never once had to put into words. Marcus knows the apartment is his. He has no idea how to demonstrate it. The whole film lives in the gap between those two facts.

Voss is not a villain. He is the most reasonable person in the hallway, and that is exactly what makes him unbearable. He would genuinely like Marcus to pass. He didn't write the questions and he can't change them. Every cruelty in the film is procedural, and nobody in it is being cruel.

I kept it to four minutes because the premise is a pressure system, and pressure systems stop being funny the moment you explain them. The neighbor answers better than Marcus does because she has thought about it. That's the joke, and it's also the part that bothers me.

Section VI — Supporting documentationRetain originals

Process

Shooting script
On file — not yet released
Shot list
Pending
Lookbook
Pending
Location scouts
In progress
Production stills
Awaiting photography
Section VII — CorrespondenceKeep a copy

Get in touch

Crew, hallways, and anyone who owns a very ordinary beige corridor: I would like to hear from you.

File copy · Applicant copy · Building copy Retain for your records